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Jeremy Shaw: Poster Art Time Warps
With Phase Shifting Index headlining the new collection showcase at Berlin's Hamburger Bannhof, a short interview extract from 2019 on Shaw's time slip…
Oct 9, 2024
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William Alderwick
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Enter the Bauhauroque
Twenty years ago today I met artist Paul Laffoley, on the occasion of his 69th birthday, at a weekend at the Omega Institute in upstate New York…
Aug 14, 2024
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William Alderwick
10
Richard Metzger’s Magick Show
Support the Disinfo Nation host’s new meta-documentary series on C21st occulture, a tacit guide to reality hacking
Aug 12, 2024
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William Alderwick
2
"What’s in the box?"
From Yoko Ono's Smile, and Dark Matter's corridor of forking paths, to the time-travelling coffins of Primer, the box as liminal device
Aug 11, 2024
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William Alderwick
1
Steve McQueen's Unflinching Gaze
How does one think about a thing like Grenfell?
Jun 13, 2024
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William Alderwick
2
The artist as cultural engineer
Genesis Breyer P-Orridge on the role of art and subverting the 'control process'
Jun 6, 2024
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William Alderwick
Writing After the End — 4/4
From the archive: Hanging air time over the chasm, labyrinthine networks of power, and the technology of writing, in Tom McCarthy's Satin Island.
May 27, 2024
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William Alderwick
Writing After the End — 3/4
From the archive: The extreme present, alternative temporalities, and the age of the corporate anthropologist — Tom McCarthy on Satin Island
May 25, 2024
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William Alderwick
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